First of two parts, a look at preparation for filming the Tributes chariot parade.Ĭlass 4: Previs and on-set. A look at the creative development of the game room, including on-set considerations as well as design prototypes for the table surfaces.Ĭlass 3: Previs and on-set. Building the show and asset schedule, starting the VFX database, hiring an VFX production/onset crew, reviewing reels selecting vendors to do the work, research and reference.Ĭlass 2: Previs and Production Design. Duggal will be among this year's inductees to the Academy of Motion Pictures Arts and Sciences in addition, she holds a BA (hons) in graphic design specializing in animation and lens media and is a published photographer working on behalf of the UK water charity Pump Aid.Ĭlass 1: Preproduction It all starts here for the vfx supe, with script mark ups, bidding and more.
Guest lecturers will also focus on specific details and tasks, helping bring the whole process together.ĭuggal is an acclaimed visual effects supervisor, director and compositor whose work has shaped Academy Award nominated features (Superman Returns, Cast Away, Starship Troopers) as well as blockbusters (Contact, Sex and the City 2, and SpiderMan 3) most recently serving as VFX Supervisor on The Hunger Games. The steps described are often happening in parallel, with something in one part of the production process impacting another. While the process seems linear, it's certainly not. Each week, she will be looking at a part of the process of making a film from the vfx supervisor's perspective. This can be a tricky balance, since the supervisor is allied with and supports the director but also needs to answer to the studio. She will be sharing examples from her vast experiences as a supervisor. The job touches almost all areas of pre-production, production and post, working with just about every department in a film. What is the role of a vfx supervisor and what does their job entail? In this interview-style course, vfx supervisor Sheena Duggal will be discussing the role of the production-side vfx supervisor on major feature films, working through the film production process. Fxphd - VFX220 - Feature Film VFX SupervisionĮnglish | AVC1 1152x720 12 fps | AAC 64 Kbps 44.1 KHz | 3.20 GB
0 kommentar(er)
